This was entry for the Cheongju Craft Biennial in Korea: suffice it to say I did not win ;( The theme for the competition was: (you can skip this part if you want.. a little long winded!) The theme for the 2009 Biennale, Outside the Box, proposes that craft be considered or approached as a composite whole, rather than as a series of fragmentary and contending disciplines. To think outside the box, as the phrase goes in the West, is to transcend spurious divisions through the human faculty of imagination. In newly-merged artistic and managerial discourses, ‘outside the box’ is where the indispensably ‘innovative’ is to be found. But it is also where a state of integration becomes attainable; where meetings become possible. As what is devised as a necessary means to an end, craft and innovation have ever been one and the same. By the same definition craft is integration; with nature, with others, with its collective self. It therefore has the power to unite and represent all human values, in the here and now. …
Artist of the Month Cynthia Reynolds Nesoddhuset October 3rd – October 31st opening Oct 3rd 12:00 come by and take a look
The creative process is often a solitary one. Meeting other artists – sharing your experiences and techniques… being free with your knowledge – it is important! Mark my words. I have met many an artist and craftperson over the years, some of whom keep their knowledge locked away, never divulging their secrets. Potentially afraid that once told, that the knowledge would lose its value, becoming part of the “common knowledge” per se. Others have been open, freely telling the how’s and why’s of what they do. I have come to learn that what goes around comes around. I remember once asking a fellow artist how she accomplished a certain task. She said it was her secret, and that sharing it was not an option. She said she had spent many years learning her craft, and could not tell. I left feeling quite perplexed… yet all the more determined to find a way to do the deed regardless. After many an hour researching online (something I spend way too much time doing), I found a device that …
and then the important part.. see that hammock in the garden, grab a good “how to book” lay back with a cup of coffee and learn something new while relaxing to the rhythmic sounds of your tumbler.
Another ring in the works… This is a photo of my next piece in the kiln. The ring is sitting on a bed of vermiculite and some fibre blanket for support. I make plugs out of investment (powder that is mixed with water and then set – here is the brand I use) in the correct size such that the ring will be a specific size once I am done. This one is made size 8 1/2 (American sizing – to convert click here) I own a Paragon Xpress E-14A it is such a fantastic piece of equipment. I did a ton of research before choosing my kiln and this one will allow me to move on in other forms and media including glass fusing/slumping, ceramics (I do silkscreening and have a serious set of custom dishware patterns in my head), enameling as well as lampwork beads (I chose the option of a beaddoor) because I know myself… It is just a matter of time! I am reasonably well versed in all of these techniques, …
A system that anyone can apply to is important, regardless of their location, or association affiliations. This should also be an anonymous application such that no biases are formed prior to judging.
For those of you who have been following this blog, you know that I am working on a line of felt & silver jewelry. This is the prototype for a series of earrings.
As you roll the ball, you will feel it start to felt. Resist the urge to squeeze it, as the secret to getting a perfect pearl is going slow and gentle.
Some artists prefer to see their work take on a life of its own, only knowing at the end what the final product will be. I have a hard time working that way.
I am working on a line of silver and felt jewelry. I am sculpting fine silver “egg shells” which will be turned into earrings set with a “felt pearl”.
One of a series of pieces I have planned to celebrate the 1st International Day of Felt on October 3rd, 2009. Elis and I have been working hard on FeltUnited, time in the studio to create has become a scarce commodity. In a few weeks, we will be spending some time in Holland felting together. I can hardly wait.