All posts tagged: norsk

dehydrated vegetables and herbal salt

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An interesting day at Hellviktangen’s farmers market this weekend. A lot less people came, likely due to the rain, but the ones who were there were very keen on hearing details about the products that I had available. One  item that brought about great interest was my seasoned salt. Such a simple ingredient to have on hand and it can be used on so many ways. Throughout the growing season, while everything is fresh and abundant, I do my best to preserve what I can. One of the methods I use is dehydration. My pantry is full of mason jars with a huge variety of dried goodness in them. My trusty mandoline which has been well used for over a decade makes quick work of the task, and once thinly sliced, I place everything in the dehydrator and let it go to work over night. I dehydrate at no more than 40C (104F) in order to maintain the optimum nutritional value. While I do not adhere to the Raw Diet, I choose to use this process for dehydration …

New tool in the studio

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Over the holidays, the studio welcomed its newest tool, a plotter (cutter). There are many on the market, each having their own pros and cons, but after having done some research, I found the one for me. I have always had a love for words.. quotes and sayings… and being a font addict with a reasonable handle on graphic design and a love for Adobe Illustrator, the possibilities with this machine are endless! It cuts so much more than vinyl… cardstock, fabric, stencils for glass etching and fabric stenciling, heat transfer for clothing.. and I have even sourced reflective heat transfer for clothing. That may sound crazy to most of the world, but living in Norway, the dark season makes wearing reflects mandatory. My son has decided he wants to start a business selling his own reflects designs.. and he is only 8! Time to make space in the studio. Yesterday I made my first wall piece from vinyl. Well beyond the standard size of the plotter (the wording is just over a meter high), …

leather handles on felt bags

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A while back, I blogged about the raw wool felted laptop bag (see post) that I created for myself, and I thought I would show how the handles were made. Store bought handles of all shapes, sizes and colours are available in most craft stores (or online), but in my opinion, nothing beats a good quality, handmade, adjustable thick leather strap with solid brass fittings. I have not used a pattern for doing this.. I simply gauge the size based on the bag and what feels comfortable. The only factor to consider is the width of your buckle. I cut five pieces of leather, one for the strap, and two shorter pieces that are doubled over and secured to the felt itself using chicago screws (leather bond optional), and two narrower pieces that are looped to keep the strap from flailing about. The side pieces are very simple.. an oval hole in the middle for the buckle to pivot, and in this case two holes matched up on each side.  Punch matched holes in your …

felted laptop bag – using raw fleece

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Forever inspired by my dear friend Elis Vermeulen of Holland to work with raw fleece (see my previous post on working with Texel with Elis), I decided to make myself a laptop bag a while back using my favorite medium. I have yet to add the straps (really need some studio time this week), but will be using some good quality leather with a buckle to make it adjustable. The base is made using norwegian C1  (I planned for a shrinkage of 30%). It is the perfect wool for sturdy bags. It produces a nice firm felt that hardly pills and wears well.  Now to pull out a hide of leather and some brass findings. Oh! by the way, if you are interested in learning more about how to work with raw fleece, Elis will be teaching a bag class at the Creative Felt Gathering in Michigan this september. See her website for more details, or contact her to arrange a workshop in your area.

Kiln fired enamel

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Enamel – a fantastic way to bring some colour into what can often become a world of black and white when working with silver. This week, I have been testing a set of colours from Thompson Enamels – transparent/lead free for use on silver/copper/gold. Enamel is powdered glass which, when heated melts, flows and hardens to a smooth, durable vitreous coating on metal. Enameling can also be done on glass or porcelain, but requires enamels with a different COE (Coefficient Of Expansion) – expansion rates must be suited to the base surface material. Prior to using enamels, they need to be washed to remove the “fines” – (extra fine particles which can cause your enamel to be cloudy). This can either be done: wet: by rinsing in water multiple times until the water runs clear or dry: by using a series of sifting pans to separate the particle sizes (60, 80, 100 mesh etc.) Regardless of which technique you plan on using to apply the enamel, the silver must be properly prepared, polished and cleaned to …

the big picture

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As most artists know all too well, November and December is the busy season, holiday sales carry many of us through the rest of our year. Months ago, as the end of summer approached, the deadline for deciding in which holiday shows to participate came up, and I had to make a decision. In past years I have had open studios, inviting the public in to my atelier to see how and where my products are made. Last year, I took part in the Designers Fair (juried entry) at DogA, the Norwegian Center for Design and Architecture on Hausmannsgate in Oslo, 10,000 people in 2 days – exhausting but worthwhile! This year, the invites for various shows came in and I realized that regardless of what options I chose, the workload would be pretty much the same, long hard days in the studio working on new series and collections, evenings back in the studio polishing silver or ironing textiles, display work, pricing, labeling, packaging supplies, being away from my children on the holiday weekends, and stressing …

cochineal and shibori

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but where does it come from? Bugs. Yes, little scaly bugs that live on prickly pear cacti in the desert. Once dried and ground up to a fine powder (I use an old coffee grinder). These little critters give off the most stunning colours from the palest, softest pinks to the deepest crimson. I ground my bugs a few days ago, and brought them to a near-boil then left to cool for 24 hours. During which time their colour releases to create a deep crimson liquid. I strained it through a silk lined sieve and saved the ‘pulp’ to try and use again. Cochineal will produce a variety of colours dependant on the mordant used. In this dye bath, I used Alum. I tossed in a few silk cocoons, as they make such a lovely colour reference, and will surely be used in a project one day. Once I had the colour I was looking for, I rinsed and centrifuged the silk and let is dry. After drying completely, I undid the resists and carefully …

the green turns blue before your eyes as it oxides

indigo and shibori

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Summer.. mother nature at her best. Long sunny days, swimming in the cool sea, meals under the blue sky … It also brings along vacation for the little ones, mine included. These early summer days have spoiled us, we have had sun filled days at the beach and spend much of our time these days outside. It is the perfect opportunity for me to work on some projects that can be done outside. Projects that can be picked up (or put down) at a moments notice, allowing me to pay attention to the needs of my children. Long days in the studio where attention to timing (ie.. light sensitive material) will have to wait. For those of you who know me personally, you know that I am a reader. No… not a fiction reader, but a reader of reference books, how-tos, I read everything I can get my hands on regarding Crafts – not craft as in ‘get a glue gun..’, but Craft as in time honoured traditional techniques, skills passed on through generations. It …

bomaki shibori – tutorial

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Lately I have had been reading everything I can get my hands on regarding shibori, the japanese art of creating texture and colour on cloth. There are an incredible variety of styles and techniques that are encompassed in the Shibori classification. Here are some photos (and a quick tutorial) of a piece I made using the bomaki shibori technique.